PDX Jazz presents Dan Balmer and Dan Faehnle: The Imagination of Grant Green
November 23 | 9:00 pm- $12 – $15
Note: this event is 21+
From coffee house gigs at fifteen to chart-topping success with the Tom Grant Band in the ’90s, world tours with two-time Grammy Award winner Diane Schuur and contemporary jam-bands, Dan Balmer brings fire and heart every time he plays the guitar. His playing spans nearly one hundred CDs including twelve as a leader from which his original works have appeared internationally in television, film and radio.
An in-demand educator, Dan maintains a busy schedule of private lessons, group clinics and master classes throughout the US and abroad. He adjudicates student jazz band competitions at events such as the Monterey Next Generation Festival and Reno Jazz Festival along with beinga long-term teacher at the Centrum Jazz Workshop. He is the director of jazz combos at Lewis And Clark College while also on faculty at virtually every other college in the greater Portland, Oregon area.
Dan has performed or toured with Joey DeFrancesco, Dr. Lonnie Smith, Les McCann, Javon Jackson and Karrin Allyson, Benny Golson, Jeff Hamilton, Gerald Clayton, John Clayton, Terell Stafford, Ingrid Jensen, Duduka da Fonseca, Kendrick Scott, Taylor Eigsti, Buddy De Franco, Bruce Forman and countless others.
Dan’s love of guitar and making music combined with discipline, technique and restless curiosity provide an ever-deepening experience for himself and his listeners. In every performance he finds himself in the middle of the path, amidst a continuous and compelling process of discovery.
There is little doubt that jazz guitar has entered a new and exciting realm when Dan Faehnle takes the stage. With the technical prowess of a jazz giant, Ohio native Faehnle has made an indelible mark upon the music world, receiving high praise from audiences and critics alike.
From an up-tempo bebop anthem to a languid, emotional reading of a ballad, Faehnle’s nimble fingers caress his guitar. Whether captivating his jazz club audiences or adding the perfect support to a recording project, this young jazz artist is destined to put his name alongside the other guitar greats.
Beginning in 2000, Faehnle stepped into the guitar chair with Diana Krall, performing on numerous world tours, television shows, radio and media events. As an integral part of the Diana Krall quartet for three years, Dan garnered accolades from such publications as the New York Times, Los Angeles Times, JazzTimes and Downbeat magazines, as well as many international publications.
While based in Portland, Oregon, Dan established relationships with such legendary jazz artists as Leroy Vinnegar, Chuck Israels, Dave Frishberg and Dick Berk. His ongoing association with these musicians has led to numerous live performances and CD recordings. Faehnle has also worked with such noted musicians as Joey DeFrancesco, Eddie Harris, Clark Terry, Zoot Sims, and Jeff Hamilton. Other significant colleagues have been Mel Brown, Ron Steen, Nancy King, Dave Friesen and Rebecca Kilgore.
Faehnle’s recording credits begin with his own debut release, “My Ideal”, a straight ahead jazz CD which showcases Faehnle’s strength of melodic content and groove. “My Ideal” also features longtime friend and pianist Larry Fuller, bassist Ed Bennett, pianist Tony Pacini, and Mel Brown on drums. Other recording credits include CDs with Leroy Vinnegar, Chuck Israels, Dave Frishberg, Rebecca Kilgore, Ben Wolfe, Dick Berk and Tom Grant. Dan also appears on the CD “Sympathique” with the popular band Pink Martini.
On his latest release, Ohio Lunch (Heavywood Music), Faehnle “demonstrates that he’s a player to be reckoned with.” ( Jazz Times Magazine) A brilliant mix of fresh originals and obscure but beautiful standards, his new CD features many talented colleagues including bassist Ben Wolfe, guitarist John Stowell, and Ron Steen on drums.
Influenced by bebop pioneer saxophonist Charlie Parker and such diverse guitarists as George Benson and Wes Montgomery, Faehnle displays the versatility of a well studied artist, “but within that tradition makes a compelling, up to the minute statement.” (Seattle Times)