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2020 Biamp PDX Jazz Festival and Soul’d Out present Thundercat and Georgia Anne Muldrow plus Brown Calculus [SOLD OUT]
February 29 | 9:00 pm- $48.50
Note: this event is 21+ and not seated.
Stephen “Thundercat” Bruner spent the last part of the new millennium’s first decade as the go-to bassist for practically every artist in black vanguard music. His nimble, syncopated, groove-heavy basslines were heard on albums by Erykah Badu, Sa-Ra, Flying Lotus, and others. Born and raised in Los Angeles, Bruner had the good fortune to be raised in a musical family. His father, Ronald Bruner, Sr., was an accomplished drummer, working with artists like Diana Ross, the Temptations, and Gladys Knight. Bruner’s older brother, Ronald Jr., a Grammy-winning drummer, has worked with esteemed artists such as Kenny Garrett and Stanley Clarke. The Bruner brothers were members of Young Jazz Giants, a quartet with Kamasi Washington and Cameron Graves, who released a self-titled album in 2004.
Bruner’s first major work came as a teenager. While still in high school, he joined Ronald as part of the L.A.-based punk band Suicidal Tendencies, replacing Robert Trujillo, who moved on to play with Metallica. At live shows, the young Bruner displayed flair and dexterity, playing some of Trujillo’s three-finger riffs with just his thumb. Possessing a kinship and interest in the L.A.-led movement of genre-mixing black music, Bruner began collaborating with some of its foremost creators. His basswork on “The Cell” was, perhaps, the standout performance on Badu’s New Amerykah, Pt. 1. He appeared on J*Davey’s version of Frank Zappa’s “Dirty Love,” Sa-Ra’s “Love Czars,” Shafiq Husayn’s “Cheeba,” and Bilal’s “Levels,” and even collaborated with bass legend Bootsy Collins on Snoop Dogg’s “We Rest in Cali,” among dozens of other cuts. During that time, he performed live with conductor Miguel Atwood-Ferguson, who led the Suite for Ma Dukes orchestra, a contemporary ensemble that revisited J Dilla’s Donuts.
Bruner’s most prolific and fruit-bearing musical relationship has been with DJ/producer/instrumentalist Flying Lotus, for whom he provided both bass and vocals for 2010’s Cosmogramma. Flying Lotus then served as executive producer for Bruner’s 2011 debut, The Golden Age of Apocalypse, released under the Thundercat moniker on Brainfeeder. Golden Age received considerable acclaim, notably for Bruner’s acrobatic bass and his repurposed take on ’70s-inspired fusion from George Duke and Jaco Pastorius, the bassist to whom he’s most compared. Bruner’s darker second album, 2013’s Apocalypse, was recorded after the death of close friend and collaborator Austin Peralta. During that year and the few that followed, Bruner’s session highlights included crucial contributions to a handful of Mac Miller releases, Flying Lotus’ You’re Dead!, Kendrick Lamar’s To Pimp a Butterfly and Untitled Unmastered, Kamasi Washington’s The Epic, and Terrace Martin’s Velvet Portraits. Bruner’s own The Beyond/Where the Giants Roam, an EP released in 2015, functioned as a prelude to the 2017 album Drunk. The expansive full-length featured appearances from Kenny Loggins and Michael McDonald on the single “Show You the Way.” A chopped and screwed version from OG Ron C and DJ Candlestick followed in early 2018.
Part of the fabric of Los Angeles’ hip-hop / jazz / soul avant-garde since 2005, Georgia Anne Muldrow has built a mightily impressive discography and a reputation to match during her career as a vocalist, songwriter, producer and musician. It is fitting that in 2018 she should sign to Flying Lotus’s Brainfeeder imprint — a record label deeply embedded in LA, with a ton of shared history and a united vision of the future – to release her stunning new album.
She first lit up the scene with her debut album Olesi: Fragments Of An Earth (2006) on cult LA imprint Stones Throw. It was there that Georgia met, befriended and collaborated with the likes of Madlib, Oh No, MED (fka Medaphor), Wildchild, DJ Romes and her future partner Dudley Perkins aka Declaime. She co-founded the SomeOthaShip Connect record label with Dudley in 2008, the platform and spring board for many of her musical travels that have expanded and extended down myriad pathways under numerous monikers including Ms. One, Pattie Blingh & The Akebulan 5, an electro fusion collaboration with DJ Romes called Blackhouse and astral jazz outings as Jyoti — a project that earned her the “Jazz Album Of The Year” honours at Gilles Peterson’s Worldwide Awards in 2011 for her album Ocotea.
It’s Georgia’s rich musical heritage and the sheer weight of her catalogue that has earned her the respect of peers such as Mos Def (“She’s incredible. She’s like [Roberta] Flack, Nina Simone, Ella Fitzgerald, she’s something else.”), Erykah Badu (with whom she collaborated on “New Amerykah Part Two” in 2010), Bilal and Robert Glasper who invited Georgia to perform on his Miles Ahead OST in 2016.
Brown Calculus — Two spirits, sprung forth from the same body in a past life, we have traveled through time and space, reconnecting as two separate hosts on planet Earth and embodying the intergalactic values of jazz and unity. Brown Calculus is Brown Alice (Vaughn Kimmons) and Brown Calvin (Andre Burgos)